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Chapter 16


Modern Times


Entrance to the famous "Portello" factory in the late '50s

While the Giulietta was a downscale step from the 1900, a modernized version of the 1900 appeared in 1958 as the 2000. This model used some of the Giulietta's vocabulary -- most notably the shim-type valve adjustments -- in a cast-iron block housed in a very modern body style.
The 2000 sedan remains a distinctive if not distinctly ugly memento of a transition between classic elegance and modern kitsch. The more tasteful body styles, the spider and coupe, were from Superleggera Touring and Bertone, respectively. The straight lines of the 2000 spider offered an interesting contrast to the soft curves of the Giulietta, while the coupe, which appeared in 1960, anticipated the shape of the Giulia coupe by three years. The 2000 was upgraded to an all-alloy straight-6 2600 engine (with minor body changes throughout the line) in 1962.
The 2000/2600 cars deserve much more attention than they ever received, thanks to the runaway success of the Giulietta. Certainly, they deserve more attention here than this abbreviated glance. Though far from the heroic 8Cs of the 1930s, these larger Alfas nonetheless recalled a past glory to which Alfa could no longer aspire.
These larger Alfas form a line which continued through the Montreal, a V-8 powered 2-seat GT coupe, and, through the sedans, to the 164. In 1959, Giulietta owners were astounded to find that, unannounced, some critical dimensions of the engine had been increased. The 2000 gearbox also appeared in Giuliettas at about the same time, but with four rather than five speeds forward (an easy conversion to 5-speeds was popular among enthusiasts). While not understood at the time, these changes to a "beefier" driveline set the stage for a 1600 cc version, which would be called the Giulia (Giulietta is the diminutive of Giulia).
The new 1600 engine appeared in 1962, first in a boxy little sedan called the Giulia TI. The Giulia offered the power of a Giulietta Veloce with none of its fussiness, while Bosch electrics gave a great improvement in reliability. To fill out Alfa's marketing technique of offering a sedan, coupe and spider in a model line, the popular Giulietta spider and sprint bodies were carried over with the new engine. It was clear, however, that unique Giulia bodies were just around the corner for both spider and coupe. But even in the 1960s, enthusiasts knew that a new model from Alfa takes a very long time, indeed.
In 1963, the Giulietta Sprint Speciale was upgraded to the Giulia engine, and the 1600 engine finally received dual DCOE Weber carburetors, continuing the "Veloce" line of the Giulietta. The same engine was also installed in a tube-framed, Zagato-bodied car Alfa had been working on since 1959: the TZ. One month after the engine appeared in the Sprint Speciale it was introduced in a racing version of the Giulia sedan, the TI Super. In May, 1964, the engine was installed in the spider body to make the Giulia Spider Veloce, the fastest production car Alfa had produced to date.
In September 1963, the new Giulia coupe appeared, a smaller vision of the 2000/2600 coupe. The Giulia engine was also downsized to 1300 and installed in the old Giulietta Bertone sprint body as the Giulia 1300. In 1965, the Giulia Veloce engine appeared in a sedan, the Giulia Super, and in an alloy-paneled coupe, the GTA, which was equipped with a twin-plug head. In 1966, a entirely new spider appeared. It was based on Pininfarina's Superflow show cars, and was dubbed the Duetto. Only slightly modified over its lifetime, the Duetto remains in production to this day as the classic Alfa spider. Its replacement is promised to be a front-wheel drive car based on the Fiat Tipo platform.
Generally, in this era, Alfa provided a 1300 version of all the Giulia cars so Italian owners could take advantage of lower taxes on the smaller-displacement engine. As a result, in the 1960s and early 1970s, Alfa produced an incredible range of Giulia models in sedans, coupes, spiders, a cabriolet, racing sedans, racing coupes, special-bodied racing and show cars, station wagons, replicar and even a diesel-powered sedan. Most of these models were offered with both 1600 and 1300 engine sizes.
If the models seem a blur, they should. The 1960s saw more models of Alfa than the company had ever produced before, or would again. I want to skip much of the details of this cornucopia of Alfas for a larger view. The Giulia era represented Alfa's pinnacle as a car producer, but the variety of models taxed the state-run company beyond its limits. Alfa was a technology-driven company mired in the bureaucracy of a government which saw its leadership change almost monthly. The bureaucracy was disposed to continue pouring money into the company. A new plant at Arese was constructed to build the Giulia, and plans were being made to revitalize a plant near Naples for the production of a new, smaller car.
It was at this point that the US market became significant in Alfa's future. The success of Volkswagen hinted at the sales volume an importer might expect and, I am sure, every president of ARI in the US assured his management back home that the same fortune awaited Alfa. Never mind that Renault hadn't made it with the Dauphine (there was an Alfa version of the Dauphine, incidentally). The American market still remained a kind of holy grail to more European companies than just Alfa. Alfa's perennially optimistic sales projections had more to do with internal communications than marketing planning.
Labor unrest rolled throughout the Italian economy. Strikes were frequent and productivity was low. The problem was not particular to Italy: England was having similar upheavals. Post-war Europe was finally coming to grips with itself. As demand softened for the marque, workers were not laid off, rather, they continued to receive their salaries while staying at home. It was clear that the measures which would have put Alfa on a sound business footing would also have brought down the government. Rudi Hruska brought some balance to the Alfa workforce by ridding Alfa of some of its surplus workers, but the training effort required to get the AlfaSud plant productive was beyond even his masterful grasp.
This was an era of high-octane gasolines and tremendous engine outputs, and probably represents the pinnacle of automotive design before the intervention of emission and safety regulations. For many, the 1960s was an halcyon era, populated with a wonderful variety of free-spirited enthusiast cars.
The Giulia range of models provided something for almost everyone. More importantly, the Giulia lost none of the charm of the Giulietta. It was nimble, comfortable and reliable. It was the last Alfa model not to suffer the constraints of US emission controls. It is recognized today as a classic and the appreciation of its value is sure to continue.

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Copyright March, 1996

Paul Negyesi
Budapest, Hungary.
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